Ranjit Kandalgaonkar’s artistic practice primarily comprises a lens directed at the urban context of cities. Some of the works map vulnerability within redevelopment strategies of urbanisation or record timelines and ‘blindspots’ - alternate markers of a city that’s unraveling. Most of his long-term projects are research-intensive and attempt to unlock historical and contemporary data by placing the work in the context of an unseen social history. Awards & grants include Majlis Visual Arts Fellowship, U.D.R.I. Fellowship, The Leverhulme Trust Artist Residency, Harvard University SAI Artist Residency, The Wellcome Trust Seed Grant, BGSW Artist residency and a Wellcome Collections/Gasworks Artist Residency. His works have been showcased at Bergen Assembly ‘16, Colomboscope ’19, Savvy Contemporary, and Art Jameel amongst others.

Collapsible text is great for longer section titles and descriptions. It gives people access to all the info they need, while keeping your layout clean. Link your text to anything, or set your text box to expand on click. Write your text here...

Dipali Gupta is a visual artist whose practice explores societal structures from a feminist perspective. Her practice is influenced by the writings of Foucault and Deleuze focusing on theories of pleasure and desire. Working across mediums, Gupta’s practice explores abstraction, eroticism and feminist theory, challenging societal norms around sexuality and identity.  A graduate from LASALLE College of the Arts, Singapore and Goldsmith’s University, London, Dipali Gupta has been awarded the Marian Treger Fellowship for Enduring Creativity, 2025 at Virginia Centre for Creative Arts, USA, was a finalist for The Sovereign Asian Art Prize, 2022 and is the winner of the Chan Davies Art Prize, 2018.

Kurekar (b. 1996), who has a Master’s degree Fine Arts (Sculpture) from MS University of Baroda, Gujarat, and a Bachelor’s degree in Fine Arts (Sculpture) from Indira Kala Sangeet Vishwavidyalaya in Chhattisgarh, explores connections between childhood memories and the sociopolitical dynamics of contemporary society.  ​The artist works with various mediums, including painting, sculpture, photography, site-specific installations, and kinetic sculpture. He has previously been a part of several ensemble shows, most notably ‘Pushpmala’ at Anant Art Gallery in Noida and ‘Yaadon ka Sailab’ at Gallery Splash in Gurugram.

Wenceslaus Mendes is an artist, documentary filmmaker, and independent researcher with over twenty-five years of industry experience. Apprentice-trained as a cinematographer and editor, he has worked extensively across advertising, broadcast television, and digital-web platforms. His practice lies within indigenous and tribal communities, shaped by shared concerns of land and water, environment, sustainability, and climate change. Here, he frames his work within an ethos of ‘Indigenous-Eco-Futurism,’ documenting practices, oral cultures, and processes of ethno-technologies, while also exploring the politics of food, consumption, and the making and dissemination of knowledge through the creation of sensoriums. For him, local – both geospatial and temporal – and indigenous knowledge are critical in envisioning inclusive and sustainable futures.